Category Archives: ecoprints

Hardy Eucalyptus for printing in cooler climates

 Thanks to the discovery of the Eucalyptus eco-print by India Flint, many textile enthusiasts around the world have fallen in love with the wonderful prints achieved from the leaves of these trees. It seems however, that many believe we can’t grow the varieties useful for contact printing and dyeing in colder climates. It is also a widely held view that those that will cope with our winters will become a menace, quickly growing to enormous heights while stripping nutrients from the soil. 

My groups of dyers really enjoy contact printing and dyeing with native plants and trees. However, there is something magical about the colour and fastness of eucalyptus on wool that makes it so special and so many buy leaves from florists to achieve the wonderful burnt orange prints and long to have a free and ready supply.

Claire, one of the group,  brought an article about Kangaroot Trees  for us to look at (October 2015’s, The Garden). We got quite excited at the possibility of growing a eucalyptus or two as dye plants. However, we first needed to find out which would give us good contact prints as well as cope with various growing conditions, survive our winters and not outgrow our gardens. After reading the article and looking at the website, we realised, this Worcestershire nursery, stocks more than 50 species of hardy Eucalyptus. The owner, Hilary Collins, very kindly agreed to send us samples of six varieties. We chose the following based on their varied leaf shapes,  small to medium growing size (can be container grown) and hardiness.

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At our next meeting we bundled samples of each between pieces of silk and wool, sprayed with a little vinegar and water and then steamed the bundles for an hour.  Five of the six were juvenile leaves except the leaves of the E. pulverulenta, Baby blue which were adult.

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The results of all the samples were excellent. All varieties produced good colour, though the unusual small leaved species E. crenulata  produced greenish leaf prints with red stems, a lovely delicate combination. According to the catalogue this variety is hardy to -10, is tolerant of poor drainage and also has beautiful perfumed flowers.

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E. parvula or Small leaved Gum has nicely shaped pointed leaves, good colour, can be coppiced, is hardy to -20 and can cope with alkaline soils. This was a real favourite and one on my short list. This variety seems to be the most robust and adaptable of all the varieties we sampled.

E cinerea

E. cinerea or commonly know as Silver dollar has rounded leaves, a real favourite with florists, gives good colour and is hardy to -8 to -13. My sister keeps me supplied with foliage from her tree in London. It is a good variety though not as hardy as some.

E nicholii

E. nicholii or Narrow leaved Black Peppermint has lovely feathery foliage and is hardy to -15. It produced good prints contrasting well with the more rounded varieties. I think this varietyis probably my favourite.

E perirana

E. perriniana or Spinning Gum is hardy to -15, gave good colour and interesting prints. The only restriction would be the leaves form around the stem and so would be more difficult to use individually.

We were really happy with our results and are thinking about varieties which would be most suitable for our different gardens. I already have at least two on my wish list, though, with a move on the horizon I may have to wait a little longer!

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Winter Landscapes

I am gearing up for new works that will explore the world of trees.

Recent experiments on papers, with winter leaves, bound and simmered have yielded tones that reflect the winter landscape.

IMG_9308There is so little colour left in the windfalls

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yet they have given me, some lovely, ghostly leaf prints.

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Mark making with different potions are giving me ideas for bigger works

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though how to brew a larger landscape?

Eucalyptus Brews

I’ve been busy playing with eucalyptus gifts from my family. E. cinerea from my sister, which produces wonderful red prints and E. globulus, from Kate, from a felled tree in Hampstead.

E globulus has large leathery green sickle shaped leaves which gave colours from buttery yellow to pale orange and browns.

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The leaves were wrapped and bound in the cloth and around copper and steel tubes and then boiled in various brews. The copper brought out the golden tones and the iron in the steel gave muted greys and blacks. I even wrapped and bound bone beads and put them in the brews with interesting results.

The wonderful thing about eucalyptus on wool is that is substantive without the mordants normally necessary for natural dyes. I need to see how the beads keep their colour.

New Year and New Ventures

The holidays and family gatherings have come to an end leaving me, like many others, feeling tired, overindulged and yearning for Spring. The weather has been windy and wet and days are still far to short. New work is on my mind, though distractions and lack of a studio have hampered progress so far

Last summer a couple of students on one of my workshops told me about a monthly course  they had been going to in Herefordshire. Run by quilter, Ineke Berlin participants work on projects using her facilities and drawing on her expertise.  It seemed like an interesting idea which I then put to others. I had an amazing response and so the initial one day turned into two.We will gather, initially around my kitchen table and then will meet in my tented studio in the garden to learn new techniques, share ideas, and work on our projects.

During the first days last weekend we walked and gathered thoughts and leaves, took photographs. Back around the table we sat and wrote in our journals then stitched, marked paper and bundled leaves which we then steamed and simmered in our witches brew (a cauldron of simmered onion skins, left over tea and leaves) while we exchanged our stories, useful tips and drank tea. Though the trees are bare and shoots of Spring are only just appearing we managed to make some interesting paperwork.

 

It has been a great way to kick start the year.  Next month we will be looking at rust printing and fabric bundling.

Bundles and Books

 

I’ve just spent a warm, sunny weekend, in good company, teaching and experimenting with various papers, plants and potions.

The first day of the workshop involved folding stitching and bundling various papers and fabrics with vegetation from the kitchen and garden. The bundles were then simmered  and most left to steep overnight. Other papers were prepared for the following day.

The results were some colourful pages and some lovely strong prints from leaves and flowers. We all made discoveries and gained inspiration for future work.

On the second day papers were steamed and more prints revealed. Dan kept us supplied with lots of refreshments and provided a feast of home made focacia breads to go with our lunch of soup, hummus, harissa and salad.

After lunch paper pages and pockets were stitched together to make books.

 

 

At the end of a lovely weekend, everybody went away with their individual books and pieces of silk and cotton.  I think a good weekend was had by all.

Botanical Alchemy

We have been winding down after the workshop, playing Catan by the stove and keeping out of the rain. We are all reflecting on such a wonderful weekend with a lovely group of women who came from as far North as Saltburn in Yorkshire, East as London and West as Devon for this three day workshop.

Inspired by India Flint’s book Eco Colour this workshop took her bundling techniques and aimed to share her sustainable dye practice. We used locally sourced dye stuffs and simple mordants and modifiers. Silk, wool and cellulose fibres, were stitched, folded, wrapped, bundled, simmered and steeped over the three days.

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Rain kept us inside for most of Saturday, stitching samples of various fabrics onto papers around the kitchen table. The wood burning stove keeping us all cosey and Dan made us plentiful cups of tea and coffee.

In between downpours, we managed a woodland walk. We gathered leaves and tree flowers left for us by the squirrels and had a surprise meeting with a Roe deer. We returned and put leaves, onion skins and discarded kitchen waste, including onion skins, cabbage and fallen petals in our folded paper and clamped them together and put into two baths.

The first paper bundles were opened that afternoon revealing wonderful colours. Two bundles were also prepared, simmered and left to steep overnight.

Sunday was glorious and was spent in the garden with much folding, wrapping and binding of silk and cotton around sticks, copper and iron. Claire brought some Eucalyptus and the rest of the dyestuffs came from the garden as well as the nearby woods.

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Seven bundles were prepared and put into four pots of various brews. After simmering and steeping overnight, the bundles were laid out to drain, ready to be opened when everyone arrived. They all looked much the same from the outside.

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However, once opened, glorious colours, patterns and leaf shapes emerged. Wonderful!

Stitching  again together on the third day and one last bundle on fine cotton gauze and the workshop was over.

So soon these lovely generous and enthusiastic women left with a loaf of Dan’s home made bread and a couple of Persicaria tinctoria plants to start their indigo dye garden. I will hope to lure them back with more botanical alchemy. Next time it will be the quest for the perfect blue.

 

 

Oxfordshire Artsweek

I have been really busy for the past month neglecting both my blog and the housework. My summer studio is up in the garden with printing tables and indoor washing lines for the Spring showers.

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A trip to London to see the final dress rehearsal of The Winters Tale at the Opera House with fabrics and clothes from Denny Andrews followed by a wonderful exhibition of Boro textiles at Somerset House.

My indigo has been sown and is growing happily ready to be planted out at the end of May along with Coreopsis and Weld.

Persicaria tinctoria seedlings

Spring leaves have been steamed in handwoven khadi cotton and prints and last years indigo vat has been revived for some mud resist printing.

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I was invited by my friend and Potter Noriko McFarlane to show at her studio at Manor Farm in Stanford in the Vale for Oxfordshire Artsweek. The exhibition opened last Saturday with a stream of people coming through the door and is open until the 11th of May.

Now to prepare for the workshops and new work.

Prints from the Fridge

Last Sunday was one of those wonderful, sunny Spring days, warm enough to eat outside and giving a taste of the Summer, I hope is on it’s way.

The weekend was made all the nicer as we had my three borrowed children (I dislike the whole step thing) gathered together for a birthday. The girls were in a creative mood and having found some old fruit and vegetables, lurking in dark corner’s of the fridge, I gathered some pieces of cotton, silk and paper to work with. These were then painted, sprayed, folded and rolled around various vegetation and layered in a steamer.  Later the bundles were unfolded to reveal lovely colours and patterns, all from fridge waste, including blueberries, red cabbage leaves and onion skins.

Winds, Rain and Eco-bundling

The weather has been so bad for so long with relentless wind, rain and flooding. I feel so fortunate, unlike many others, to live on a hill with no fear of flooding. The bad weather means it’s a good time to be inside by the wood-burning stove bundling pieces of fabric.

I have wanted  to experiment and see what is possible in the depths of winter with very little in the way of fresh leaves to work with. Bundling what I can find in silk and cotton, around sticks, stones and metal scraps and then simmering them in baths of windfalls.

I bundled a piece of the fine hemp silk from the hemp shop with the habutai samples.  It has the body of hemp with some of the dye qualities of silk. Steamed up windows and the lovely aroma of leaves fill the air and later, though little time has been given to developing the prints lovely colours and marks emerge.

My brain is whirring thinking of what wonderful things I could do with it. I have also bought some organic hemp and cotton jersey fabrics to play with which are calling for an indigo bath.

Books, a Map and Hemp

This week I have been busy designing a new website for my friend  Denny Andrews. She sells clothes made largely from block printed and vegetable dyed fabrics from India. (I will write more about this another time). During breaks from the laptop I have been stitching books and a map  Though the map idea is still in it’s very early stages I hope to develop it into a textile project

As soon as I can I want to experiment with different resist techniques on some new fabrics. I have been looking into ecological sources, and organic hemp seems to be one of the best as it uses far less land and water to grow and process than cotton. Yesterday I ordered some organic hemp jersey and hemp silk woven fabric to experiment with from the hemp shop. I’m quite excited about trying these for mud resist and indigo and some itajimi (clamp resist) with leaf printing. It will be great to offer students who want to upgrade from basic cotton to these fabrics and I should be able to offer them at cost.

There has been lots of interest in this years workshops and bookings and deposits are arriving daily. I am grateful to my friend  Jane Meredith    for mentioning my workshops on her website. She runs plant dyed wool workshops at her wonderful riverside haven in Herefordshire. If you like natural dyeing and wool you should look her up.

New Year and New Work

Happy Belated New Year.

New Year resolutions usually come out of guilt and feelings of inadequacy are to be avoided and as someone who suffers winter downers I am making plans to be kinder to myself and the world and try to do more of what makes me feel good. I have been thinking of positive plans for the year as I want to build on all the good things that came out of 2013.  Already I have bookings for the Mud resist course in July and the Bundles and Books in October which is heartening.

When I moved here from London I decided to get a dog to motivate me to go for walks and even during the darkest and miserable days of mid winter I have no regrets. The leaf printing has added a deeper sense of mindfulness to my walks and focused my attention on the changing seasons, the many varieties of trees and plants along the path and a deeper sense of place.A walk today found aconites, snowdrops coming into flower and the sun made a welcome change from the cloud and rain filled days of recent weeks.

This blog has added a discipline to my work and a more thoughtful approach to my practice.  I have a tendency to try and do too many things at once and not follow and record an idea to a conclusion. The discovery of new techniques can take me off on tangents leaving work unfinished and ideas unfulfilled.

I have been continuing with paperwork, folding, printing steaming and steeping ideas developing around the kitchen table. Boats, boxes, maps all conjuring up memories of far away places and journeys I have taken in my life.

First frost and watercolour paper

Dan returned from his weekly commute to London with samples of different papers from Atlantis Arts, some rusty nails in a bag and some other treasures for winter experiments. But first we have decorating to do so a weekend of sand paper, paint brushes and rollers and the living room has been transformed into a brighter place for the gloomy months.

This morning I woke up to the first frost of the winter.  The dog walk took us out into a crystal covered landscape. No pictures, (having forgot my camera) but many more frosty mornings ahead.

Finally some time to work. Which papers will produce the best colours? No rust at this stage as this may confuse things too much just paper leaves and steam. First into the steamer are the Rives BFK,  Aquarelle Arches 185 gsm HP, and Bockingford water colour 150gsm NOT ,with Acer palmatum, Prunus and Poplar italica

After half an hour first out of the steamer is the Aquarelle Arches which is showing bright colours of green, yellow and blue, The paper is sticky with size.

another half an hour the Bockingford which has more subtle prints and natural colours.

The heavy weight Rives BFK has produced unexpected rust notes. Quite different from the other sample of Rives I was given which was similar to the Arches sample.

Should really do more work on paper, though I’m really in the mood to look at the pile of sample pieces I have been accumulating and piecing them together.

Autumn light

I went to the private view of ‘Paintings of Eaton Hastings 3’, work by Mina Stevens on Saturday at Coleshill Village Shop.  She paints landscapes, cows and portraits which are imbued with a wonderful sense of light. Her colours and spare use of paint give the work sense of immediacy and freshness.  Each time I see her work she inspires the painter in me who has been cowardly hiding away for some years behind various other preoccupations.

People were always my subject though I have always enjoyed being transported by painted landscape. This afternoon I took my camera with me on a walk with Molly and Mabel across Coleshill  Park. Foraging for new sources for leaf prints but also hoping for inspiration.

What a lovely day. One of those cold, crisp and clear days with dramatic late afternoon light sinking behind trees

 I should have been sitting in the landscape sketching.  Maybe another time.

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