I am gearing up for new works that will explore the world of trees.
Recent experiments on papers, with winter leaves, bound and simmered have yielded tones that reflect the winter landscape.
There is so little colour left in the windfalls
yet they have given me, some lovely, ghostly leaf prints.
Mark making with different potions are giving me ideas for bigger works
though how to brew a larger landscape?
Such beautiful work!
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Thank you!
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